Happy NaPoWriMo Eve!

I have barely written a single creative word since last April. Yet here I am, on the eve of National Poetry Month, feeling something like…enthusiasm?…to tackle another poem-a-day challenge. As in previous years, I plan to use prompts from both NaPoWriMo.net and my local poetry group’s 30/30 challenge in order to generate the poems. I aim to write something every day, though not necessarily post here every day. If pandemic life has taught me one thing, it’s the importance of embracing both uncertainty and flexibility.

The prompts traditionally begin on March 31st in preparation for a productive April. Today’s “early-bird prompt” asked writers to spend a few minutes looking for a piece of art in the online galleries of New York’s Metropolitan Museum of Art. After finding something that piques interest, study the photographs and the accompanying text to inspire your poem.

I chose this photo, more for the title of the piece and the description than the actual image. Then a draft came out. Whether or not I will ever shape the poem into something more is a six-months-from-now decision, after the words have settled.

Cosmetic Vessel in the Shape of a Cat ca. 1990–1900 B.C.
On view at The Met Fifth Avenue in Gallery 111
Cosmetic Vessel in the Shape of a Cat 
 
Where cosmetic implies to beautify
 
        	improve the face       	not just of the body
                                	but of things as they seem
                                	impress with transformation
                                	superficial dusting that somehow
                                	makes me feel more here
 
        	the shape of a cat      	is some classic ideal
                                	grace unmatched but mystery too
                                	the way the lithe muscles of a back
                                	in motion, toward prey or affection
                                	convey a power I have yet to hold
 
        	how a vessel             	is a place to contain
                                	something utilitarian, necessary
                                	or simply coveted and kept
                                	a swift vowel switch and
                                	vassal I become to perfection

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It’s (Almost) Poetry Month!

Usually April is my favourite month, but with everything going on in the world, I fear it’s going to be an especially worrying and trying 30 days. But poetry has always been my balm against the harshness of the world, and a way to work through fears, grief and other hard emotions. I’ve been feeling so uninspired to write anything lately, but I’m hoping to use this month, and the daily prompts for the NaPoWriMo challenge, to get me back into writing practice. I may not post every day, but I will certainly do my best to write every day. Part of what I’ve always loved about this poem-a-day challenge is that it pushes me to write in styles or forms I don’t usually try, and about subjects I might otherwise never think of. While in the past I’ve thought of this as simply a good creative starter, this year I think it will be a good distraction too.

Wanna read, write, and create along with me? There’s no time like the present. I think the world is doing a good job of teaching us all that lesson right now.

The NaPoWriMo early-bird prompt is to write a poem about a favourite bird. So here’s my attempt to incorporate that topic with Ginsburg’s poetic style, the American Sentence. A little like a haiku, with seventeen syllables spread out over one poetic sentence. I’ve never written one of these before, but like I just said above, there’s no time like the present.

Two magpies squawk for bread, unaware I’ve got rationing on the brain.

 

 

PAD 2019 – Day 22

Working with the NaPoWriMo prompt today to write a poem that engages with another art form. I have been watching my nine year old daughter learning and loving to play the drums, so that was the first art form that came to my sentimental, parental mind.

 

Beginner Beats

 

After your first lesson you told me

to be a drummer, you only need a body.

A heart to pulsate.

A foot to tap.

A palm to pound

Fingers to beat.

 

When you drum,

your entire body, small but strong,

vibrates with life tempo.

 

The first sound you ever heard

was the percussive thudding

of my own heart, close to you.

Sound imprinted,

on the growing soul.

 

Primal instruments — the drum, the heart.

Soundtrack to battle, to rally, to rise.

Thrum of liberation, running through

our blood.

Gratitude for public poetry – especially now

Something quite wonderful happened to me this summer. I was lucky enough to be one of four poets to have a poem featured on Edmonton transit as part of the Edmonton Poetry Festival’s Poetry Moves initiative. Knowing how many creative and talented writers there are in our community, I was surprised and flattered to be picked. Of course it’s great to have your work recognized, but the real reason I am excited to be part of Poetry Moves is because I believe so strongly in the value and need for poetry to be displayed in public places.

People are often skeptical of poetry because it can seem mysterious, elitist and even scary. How it scares and who it scares can differ.  Someone may dislike poetry because he or she has been made to feel, for a variety of reasons, that poetry is too intellectual or elusive. And then there are those who fear what poetry — and what all art — is capable of doing: inspiring hope. Public poetry is necessary both to welcome those who might not otherwise have access to poems, and to stick it to those who would rather not have poetry at all.

If you call yourself a poet, you’ve surely had the opportunity — I’d even say the pleasure — to defend poetry. Devoted as they may be to words, the poetry lover is still a  bit of a rare beast. So questions like, “What is the point of poetry?” or “Who really needs poetry?” or “Does poetry matter anymore?” do come up, even from fans of other forms of art and literature. A quick “poet quote” search provides countless examples of famous poets of the past, and not-so-famous-poets of the present, providing answers to these questions. Some of my favourites include:

“A poet’s work is to name the unnameable, to point at frauds, to take sides, start arguments, shape the world, and stop it going to sleep.” – Salman Rushdie

“Poetry is the lifeblood of rebellion, revolution, and the raising of consciousness” – Alice Walker

and perhaps my very favourite:

“Poetry is an act of peace. Peace goes into the making of a poet as flour goes into the making of bread.” – Pablo Neruda

These quotes have been especially resonant for me lately. Never before in my lifetime has the world seemed more in need of awakening, activism and awe. I do believe, as I always have, that exposure to poetry — and all forms of art — is one of the surest ways to spark the brain, open the heart and move the soul. It’s the reason art is so often hated and feared by those who possess, or strive to achieve, absolute power. Art promotes understanding and connects us, and for those seeking to divide and conquer, nothing is more dangerous than empathy and unity.

Though I am Canadian, a recent news story has caused me to spend a lot of time thinking bout that gigantic American symbol, the Statue of Liberty. During a White House briefing, one of Trump’s senior advisers,  Stephen Miller, got into a heated exchange with a CNN reporter about the meaning and importance of the Emma Lazarus poem “The New Colossus” which is inscribed on Lady Liberty. Many of us are familiar with the poems famous lines welcoming the world’s “tired … poor … huddled masses yearning to breathe free” to American soil. It’s easy to see why such a poem would be so threatening to the current US administration. And I was thrilled to see The Guardian newspaper publish smart, heartfelt and sometimes funny responses from 21 current poets.

As I began to read more about this story, and the origin of the poem, it was unsurprising to learn that self-described “alt-right” members have been calling for the poem’s removal for years. And I couldn’t have been more tickled to know that one sonnet — one public poem — was so very threatening to white supremacists. This is an example of a very famous poem inscribed on a very prominent symbol, but the potential exists for any public poem — even the seemingly non-political — to move people to action, understanding and hope.

This is why I am so grateful for programs like the one the Edmonton Poetry Festival continues to support. For many people riding the buses or the LRT this summer, the Poetry Moves picks might be the only contemporary poem they read this year. It might even be the only poem by a local writer that they ever read. There might be a line or a word that sparks a memory, an emotion, a bit of imagination in a reader that then ignites a desire to consume or create more art. That is how a poem can keep us all from going to sleep. That is how poetry can be an act of peace.