I’m delighted to share an interview I did with On Creative Writing podcast about my debut poetry collection Confirm Humanity. Big thanks to Sheelagh Caygill for asking me to be a guest, and for asking such great questions.
It’s Book Pub Day!
So excited to announce that it’s the official publication day for my debut poetry collection, Confirm Humanity, published by Wild Skies Press! This book was a looooong labour of love, so I’m extra excited to see it existing in the world.
If you’re in the Edmonton area, you can find it at local indie bookstores. If you’re further afar, it’s available for order through Wild Skies Press, or as an e-book through Amazon and Indigo

Review of my debut poetry collection, Confirm Humanity
My book publication day is tomorrow (woohoo!), but big thank you to The Gateway for publishing this thoughtful review of my book today.
Saskatchewan writers…I want to read your poems!
I’m thrilled to be the Associate Poetry Editor for Vol. 15 of spring magazine, published by the Saskatchewan Writers’ Guild. If you’re a writer who lives in Saskatchewan, please send your work!
Deadline and submission details here: https://skwriter.com/events-and-workshops/spring-vol-15-call-for-submissions
Pre-Order Confirm Humanity
Exciting news! My first full-length poetry collection, Confirm Humanity, is now available for pre-order on Amazon Kindle!
Publication date is October 29, 2025! Stay tuned for news about book launch dates in Edmonton, AB., Saskatoon, SK. and online.

Re-animation!
It’s been years since I last posted, but spring is coming soon and so is more news and writing from me!
The world needs love, joy, art and words. Hope you’re all able to find some of that in every day.

PAD 2022 – Day 30
The big finale! Like every April that I attempt a poem-a-day challenge, the month has flown by, and I can barely remember anything I wrote. May becomes a quieter month, of re-reading and polishing.
Today’s NaPoWriMo.net prompt asked for a cento, which is a form I have never tried before. This is a poem that is made up of lines taken from other poems. If you’d like to dig into an in-depth example, here’s John Ashbery’s cento “The Dong with the Luminous Nose,” and here it is again, fully annotated to show where every line originated.
My lines come from a variety of poems posted under the Poetry Foundation’s “Poetry and the Environment” category. I plan to post an annotated version of this, listing all the poems and poets, when I get a chance. But for now it comes incomplete, but appropriate, on a day when I’m about to host a workshop and reading at the Edmonton Poetry Festival about poems that address the climate crisis.
a deer walked into the house while I was writing at the kitchen table (or: a cento for the end of the world) the earth says have a place, be what that place requires. this sort of song tells a certain sort of story, that it is we who are important. a story about having something and then losing it. then, even here life will be different, good tillable land so dear. flames pour forth when the faucet’s unstopped. here the worst ever. every tree hurt. how easy it is to live with little deaths their beauty has more meaning in past tense. the deer looked at me with a stilled defiant terror, like a thing with no choices. what will survive us has already begun

PAD 2022 – Day 29
The penultimate day of the poem-a-day challenge! I think I say that every year, mostly because I love the word “penultimate.” I may say that every year too.
Because of regular life busy-ness, and the Edmonton Poetry Festival workshop and reading I have tomorrow, all I’ve managed today is another micro inspired by the 30/30 prompt “a slight change of plans.”
the way one slight change can create an opening for a substantial difference

PAD 2022 – Day 28
A small thought, seeded by the 30/30 prompt “filled with odds”
a week later clearing your nightstand drawer filled with odds and ends of a life

PAD 2022 – Day 27
The NaPoWriMo.net prompt for the day was to write a “duplex.” A “duplex” is a variation on the sonnet, developed by the poet Jericho Brown. Here’s one of his first “Duplex” poems, and here is a duplex written by the poet I.S. Jones. Like a typical sonnet, a duplex has fourteen lines. It’s organized into seven, two-line stanzas. The second line of the first stanza is echoed by (but not identical to) the first line of the second stanza, the second line of the second stanza is echoed by (but not identical to) the first line of the third stanza, and so on. The last line of the poem is the same as the first. Completing this was tough for me, partly because it’s an exciting, but challenging form, and partly because what emerged in the writing was a difficult topic. I’d say it’s definitely not ready, but my opening and closing line to share are:
Some memories are fluid, like water taking the shape of what holds them.
