PAD 2021 – Day 10

Today’s poem is still twisting a bit, so I’m not posting, but the prompt has some pretty cool potential. NaPoWriMo.net borrowed this prompt from poet Hoa Nguyen.

  • First, find a song with which you are familiar – it could be a favorite song of yours, or one that just evokes memories of your past. Listen to the song and take notes as you do, without overthinking it or worrying about your notes making sense.
  • Next, rifle through the objects in your junk drawer – or wherever you keep loose odds and ends that don’t have a place otherwise. On a separate page from your song-notes page, write about the objects in the drawer, for as long as you care to.
  • Now, bring your two pages of notes together and write a poem that weaves together your ideas and observations from both pages.

My poem-in-progress takes notes from my messy drawer, my strange dreams last night and Neil Diamond’s “Sweet Caroline,” which was playing in my brain when I woke up.

PAD 2021 – Day 9

I am not sure what I wrote today even qualifies as a poem, but it was a fun to write. The NaPoWriMo.net prompt called for a poem in the form of a “to-do list.” The suggestion was to make it a “to-do list” of an unusual person or character. For example, what’s on the Tooth Fairy’s to-do list? Or on the to-do list of Genghis Khan? Of a housefly? The list can be a mix of extremely boring things and wild things. For some reason, the first character I thought of was The Mothman.

Mothman’s Friday To-Dos

Trim beard
Do 50 sit ups
Do 50 wing extensions
Clean coffee pot
Build bridge out of sugar cubes
Knock it down
File & paint claws
Gather doom for later harbingering
Dust bookshelves
Remove thorns from feet
Buy sunglasses
Call Mom
Tribute statue of The Mothman in Point Pleasant, West Virginia

PAD 2021 – Day 8

Today my poem took inspiration from the the League of Canadian Poets prompt to write a poem about what happens when you sleep, as well as today’s NaPoWriMo.net prompt modeled on the 1915 book Spoon River Anthology by Edgar Lee Masters. It asked for a poem in the form of a monologue delivered by someone who is dead. Not a famous person, necessarily – perhaps a remembered acquaintance from your childhood. The monologue doesn’t have to be a recounting of the person’s whole life, but could be a fictional remembering of some important moment, or statement of purpose or philosophy, with any degree of drama thrown in. I chose to write from the perspective of a cousin who contracted encephalitis from a mosquito, and died several years later, long before I was born.

Maryse Reiner

To call is it sleeping sickness implies a certain serenity
but I can tell you, from this side of my closed eyes,
it was never true. Before all that I was praised for my 
black curls and round blue eyes, like a doll they’d say,
never getting old enough to be noted for my keen 
math skills or the way I could run to the treehouse
faster than my brothers and climb the ladder like
a squirrel. I loved the colour yellow and the way
my mother’s carrot cake tasted ¬ best on my birthday.
I never had time for a real crush, or to really dream
about what I’d do when I finished school, but I do 
know it would have been more than house and babies.
I do know I would have danced, even through the 
reluctance and bone-ache of old age. I do know I 
would have gone to the lake every summer,
stayed up for every sunset, shut my eyes to memorize the
way the crimson and pink, the streaks of orange
reflected on the water. Held the shades and shapes like a favourite
painting, in my heart and behind my eyes, so I’d always have 
some place to go to in the dark.
Photo by Nicole Avagliano on Pexels.com

PAD 2021 – Day 7

One week down!! Today’s seemingly simple prompt proved rather difficult for me. NaPoWriMo.net asked poets pick from or combine two kinds of short form poetry – the shadorma, and the Fib. The shadorma is a six-line, 26-syllable poem (or a stanza – you can write a poem that is made of multiple shadorma stanzas). The syllable count by line is 3/5/3/3/7/5. The Fib is a six-line form where the syllable count is based off the Fibonacci sequence of 1/1/2/3/5/8. You can  link multiple Fibs together into a multi-stanza poem, or even start going backwards after your first six lines, with syllable counts of 8/5/3/2/1/1. I tried linking one of each, but haven’t landed on any sort of title.

There 
are 
pockets
of darkness
I never want to
stop myself from dipping into.

Like a tongue
rubbing a raw cut
on the gum,
hoping that
each twinge will be testimony
or reason to be. 
Photo by Engin Akyurt on Pexels.com

PAD 2021 – Day 6

I’m not posting my poem today, but am sharing the prompt because I think it has the potential to bring interesting results. I used the NaPoWriMo.net instruction borrowed from Holly Lyn Walrath to go to a book you love. Then, find a short line that strikes you. Make that line the title of your poem. Write a poem inspired by the line. Then, after you’ve finished, change the title completely.

Photo by Thau00eds Silva on Pexels.com

PAD 2021 – Day 5

Today I experimented with the NaPoWriMo.net prompt to find a poem, and then write a new poem that has the shape of the original, and in which every line starts with the first letter of the corresponding line in the original poem. The poem I chose was this translation of “Alcaic” by Tomas Tranströmer. The tone is certainly divergent from the original, but it was interesting to see what came out when I had to write within the constraints of starting letters and line-syllable counts.

Agitator

That devil in me. I wait for your yell:
the way your voice goes high, then deep. Simmering.
		In my bedroom, I bury my hot
face in the pink quilt you made for me.	

I am never able to access why.
Can’t tell you in words, the need to be seen
		takes over from the want to be good.
Testing a needle against a balloon.

PAD 2021 – Day 3

Working today from the 30/30 prompt “cold sweat.” I frequently have nightmares, including last night! Even so, I love reading about the origins of the word and artistic depictions throughout history.

If it’s just a bad dream then why is it that

the worst ones
don’t leave the chest
even after you’re awake?
You might breathe fine 
throughout the day,
cold sweat dried, racing heart
slowed, 
but still it presses,
a burrowing worry
that drinks air
and reason
through its blackened roots.

The Nightmare, 1781 oil painting by Anglo-Swiss artist Henry Fuseli. 

PAD 2021 – Day 2

Mixing two prompts today: the first being “ambient light” and the second being a challenge to write a Robert Frost-inspired poem about a road not taken.

You Are Probably Telling This With a Sigh

Imagine, if you can, a man with the deepest voice you’ve ever heard
sitting at a strangely firelit table, intimate in an otherwise teeming bar,
looking at you in way you will remember 23 years later, on a random Wednesday,
while you’re folding a pair of your daughter’s leggings and waiting
for a second pot of coffee to finish brewing. 

Imagine, if you had left that night, away from the strangely firelit table, 
and ventured into something less sure. Perhaps deeply contenting. 
Perhaps disastrous. Where you might sit again, 23 years later, across from a man, 
running your finger around the rim of a coffee cup, counter-clockwise, in some 
subconscious spell of time reversal.

Imagine, if there were only two roads, in a calm yellow wood, 
and not the tangled many-paths of options, like an intricate burst of blood-vessels 
pulsing life to places you can’t control, but might try to, or at least hope
to look all the way to the end of a shady track, beyond the protective undergrowth
to see not what but who is waiting.

PAD 2021 – Day 1

Today’s NaPoWriMo.net prompt called for a way to “derange” yourself by experiencing something strange, like this animated version of “Seductive Fantasy” by Sun Ra and his Arkestra, and then writing the poem. What resulted for me is, still in progress, so I’m not sharing yet. It’s already more abstract than normal, but half the fun of poetry month is experimentation.





Still from Sun Ra Arkestra – Seductive Fantasy (a Chad Van Gaalen animation)