PAD 2019 – Day 8

Today I mixed up prompts by accidentally reading the Poetic Asides call for a “lucky number” poem as simply a “luck” poem. I mashed in my local Stroll of Poets prompt for “a good day” poem, and this is what popped out.

 

A Good Day

 

A good day starts

by believing luck is on your side.

That fortune’s picked a favourite.

That you were born under a good sign.

That some resident of Heaven is smiling upon you.

A good day starts

the night before, when you spot the flash of light

blitzing through the dark. The shooting star

Ptolemy said, is an assurance that the Gods

are paying attention.

A good day starts

by spying a four-leaf clover, stroking a rabbit’s foot

rolling a seven, having a ladybug land on your shoulder.

By recognizing all these things as happy accidents

and still  feeling worthy of your own happiness.

PAD 2019 – Day 7

Pulling another prompt two-for with Poetic Asides call for a “jealous” poem, and the NaPoWriMo suggestion to write a poem about “gifts and joy.”

On three hours of sleep

 

How jealous am I of the gifts a sunrise offers?

I’m green like the grass, wishing I could rise so triumphantly.

No birdsong in my croaky first words.

No glisten of dew around my puffy eyes.

Yet I awake to a home zinging with energy,

the rhythm of quick footsteps, uncontained giggles,

and a cat willing to exchange a nuzzle

for the sound of a can opening.

I’m envious of the Sunday morning slumberers,

shrouded in warm quilts and undisturbed dreams.

But I am here. Now. Doing. Experiencing.

Reminding myself that present is a wonderfully loaded word.

PAD 2019 – Day 6

The NaPoWriMo prompt today asked for a poem that emphasizes the power of “if,” while the Poetic Asides prompt suggested making “After” the first word of the poem’s title. After some thought, this is what came out. Not sure if it works, but why not try?

After the mind-bending movie

 

If time travel is possible, should I go forward or backwards?

If this is a simulation, who started it?

If there are multiple universes, how many have coffee?

If everything that’s ever been or will be is happening now, where did I set my keys?

If space is intrinsically expansive, why did my jean size go up again?

If there are many versions of me, are all of them allergic to nuts?

If time is an illusion, why am I always late?

If there are infinite possibilities, why do I always chose you?

PAD 2019 – Day 5

Today I mixed the “stolen” theme of the Poetic Asides prompt with a Stroll of Poets prompt asking for a “roadside attraction” poem. First thing that came to mind was the numerous roadside zoos I used to see when I lived in Ontario.

 

At the Jungle Wildlife Park

 

Small road off the busy road,

a line of cars snaking forward,

packs  of tourists inside,

restless but contained.

 

Dads wearing exhausted faces

as kids come pouring out of backseats

feet stirring up gravel as they sprint

for the sign they’ve been teased by

for the last fifteen clicks — a leopard’s face

inside a giant black paw.

 

Promises beyond the gate:

big cats, big thrills, big fun.

Nature as you’ve never seen it before.

 

parrot sitting on a metal bar

lemur dangling from an old tire

puma batting a basketball

tiger cub sleeping on a rocking chair

 

Step back from the cage

unless you’re here for the photo.

Half-price today for kids ten and under.

Hold a wolf pup or monkey,

don’t forget to smile.

What a steal for the chance to

see something so wild.

 

PAD 2019 – Day 4

Today I combined the Poetic Asides prompt to use an artist’s name as a title, with my local Stroll of Poets prompt to make a “10 Things” poem. I’ve always been inspired by Monet’s art, and especially love the “Camille Monet et un enfant au jardin” painting (image below). As I’ve aged, I have come to see the painting differently than I once did.

10 things about Monet’s “Mother and Child”

 

It’s the flowers I always remember.

The beauty in shades of red, and all the white that suggests an ideal day.

The mother is Monet’s wife, Camille.

No one else appears in his paintings as often as Camille.

The Child is only identified as “Child.”

I imagine the texture of the grass, the feel of Camille’s dress, the softness of the child’s hair.

I wish I knew what book the child looks at.

I see my  own mother in Camille, never attending to just one thing.

I stare at the faces of mother and child, obscured in indistinct brushstrokes.

I wonder why it’s the flowers I always remember.

PAD 2019 – Day 3

I managed to write two poems today, but one is not ready for public viewing. This one is based on a real-life incident with my daughter yesterday, and fit nicely with the Poetic Asides prompt asking for an “animal” poem.

 

What Animals Do

 

Talking fast like kids do

after a day of keeping quiet and calm

my daughter tells me about the playground discovery

a dead squirrel

encircled by a group of seven year olds

curious to discover meaning

in its still body.

 

There was a bone sticking out

with blood on it,

my daughter reports,

then drops the subject

like her backpack

and forages in the pantry

for a snack.

 

Did the dead squirrel make you upset?

I ask later, and she replies with a shrug.

Then her brow furrows with thought.

It was probably a cat, or a dog,

just doing what animals do.

PAD 2019 – Day 2

The prompts for today aligned nicely, with NaPoWriMo asking for a poem that ends with a question, and Poetic Asides prompting a worst-case scenario or best-case scenario poem.

 

The Curve

 

What is worry if not risk management?

A mental plan for potential disaster.

Worst-case scenario, or acknowledgement

of what’s most severe. What ifs

are the stuff of agitation. Imagination.

My therapist says Find peace in the now

but this mind frame’s empty of

the mirror, the painting, the possibilities.

Yet I do understand the allure of

a waveless ocean

a cloudless sky

a limitless horizon.

A quiet place to walk

around all sides of a thought, the curve

where the question shifts from

What if something terrible happens? to

What if it doesn’t?

PAD 2019 – Day 1

Today is the first day of National Poetry Month and the FIFTH consecutive year that I’ll be participating in the poem-a-day-challenge! I have been madly writing dark short fiction for the last few months, as part of a mentorship program with the Writers’ Guild of Alberta (how lucky am I?!?!), but I decided to dust off the blog with some poetic blab too.

This year I’m aiming to write a poem every day in a local, closed group with other adventurous Stroll of Poets members, but when I can I will try to post here as well. I will also try to respond to the Poetic Asides prompt, or a combination if it works. Today’s prompts matched perfectly, with my local group suggesting “the streets at dawn” as a prompt and Poetic Asides asking for a “morning” poem. Clearly the darkness of all that horror fiction I’ve been writing and reading bled into today’s poem:

 

Morning Before Anyone Else

 

a kind of hollowness, the streets at dawn

apocalypse now — concrete world without people

 

rubble from winter melt desecrating this suburban crescent

windows of each house black and vacant, pupils of the dead

 

trees, budless and birdless in this limbo season

morning is a beginning and an ending too

 

uncovering all that lied in the dark

 

NaPoWriMo – Day 30

It’s the final day of this year’s poem-a-day challenge, and as always I feel simultaneously tired and invigorated. Today’s NaPoWriMo.net prompt asked for a poem inspired by a strange fact or historical nugget, while the Poetic Asides final prompt of the month asked for a coming-to-an-end poem. With a little internet exploring of weird facts and Wikipedia pages, I combined the two prompts to make this:

I get it, Frederic Baur

I’m learning
this strange fact ten years after
your death. That you, inventor of
the Pringles potato chip tube, asked
your family to put your ashes in one.
What flavour once lived in there
before you? Was it the bright red one,
iconic, yet housing the ho-hum plain?
Was it the green sour cream and onion,
a peppy shade to brighten up the
evermore? Were you paid well
for your ingenuity, your creativity,
your push to try something new
with the tried and true? Perhaps it’s
warped of me, yes, to think that once
you popped and now you’ve stopped,
but I can tell you this, Mr. Baur, organic
chemist turned food product sage:
I will never again gaze at that cylinder
of salty snacks without thinking of this
outlandish fact, and how  all of us just want
what’s left kept in what remains.

NaPoWriMo – Day 29

For the penultimate day of National Poetry Month, I used the NaPoWriMo.net prompt to write a response to a Sylvia Plath poem. Mine is not so much a response, as a stream of consciousness something-or-other that came from the line “Where do the black trees go that drink here?” from Plath’s poem “Crossing the Water.”

Image result for image bare branches

Black Trees

In a gift shop, I tell my friend about my recent obsession with bare branches.

I want to possess them in paintings, necklaces, a metal wall sculpture.
It’s the bud of spring here, and the trees are betraying this admiration.
Abandoning their minimalist life for something with more promise.
The birds, of course, rejoice, but it’s harder to see them in an elm, full plumage.
Harder to watch the small red chest of the robin shrink and puff just before he offers his melodic warble.
I imagine the solitude of a forest, fresh from a fire. Destroyer, perhaps, but purifier too.

It takes years before those charred, naked sticks are overtaken by new growth.

So many years, I could forget how to drink that stark beauty.